Curating digital art seems quite an adventure given the wide set of used visual languages, messages, themes, narratives, online and offline projects, coding and often changing perspectives. Now that the term ‚Post internet Art‘ is almost 15 years old, it’s interesting to look back on how exhibition builders, curators and museums were and are dealing with the subject. Especially in periods where there is a growing interest in older Net Art, while in the meantime AI generated art, NFT’s an other digital art forms are the talk of the town in media, fairs or festivals. Parallel to that, museums and exhibitions spaces all over the world are trying to foster new audiences due to disappointing visitor numbers and the fact that newer generations are dropping out of traditional cultural consumption. To tackle the latter researchers as Patt Villeneuve and Ann Love (Florida State University) are suggesting a more participative and audience oriented praxis for museums and curators with a four dimensional model. Based on exhibitions projects that I curated as ‚SCREEN IT‚, ‚ME, MYSELF & I‚ and the upcoming ‚CTRL-X‘, I will discuss these challenges and methods of multidimensional curating within the context of digital art, relationships with artist (and art works), audience development & how artists and researchers can team up in creating art works.